HELL HATH NO fury like a Lorde scorned.

SIPA USA / PA Images SIPA USA / PA Images / PA Images

Earlier this week, the ‘Royals’ singer called out Kanye West and Kid Cudi over their stage design at Tyler The Creator’s Camp Flog Gnaw festival.

She handily put some side-by-side comparisons up on her Instagram Story, if you’d like to see for yourself.

Lorde / Instagram Lorde / Instagram / Instagram

Lorde / Instagram Lorde / Instagram / Instagram

Tagging the pair directly, Kanye and Kid Cudi directly, saying “I’m proud of the work I do and it’s flattering when other artists feel inspired by it, to the extent that they choose to try it on themselves.

But don’t steal—not from women or anyone else—not in 2018 or ever.”

As it turns out though, all artist share a set designer, visual aritst Es Devlin. She designed Lorde’s staging for her tour back in March, as well as coming up with Kanye and Kid Cudi’s stage for Camp Flog Gnaw.

View this post on Instagram

About this time in October 2005 I began an 11 year conversation with this extraordinary visual artist and musician. Much of my work still relates to this ongoing dialogue about the physical forms needed to connect artist and audience #kanyewest

A post shared by Es Devlin (@esdevlin) on Oct 22, 2016 at 5:51pm PDT

So, can she really say the lads ripped her off, when the issue is with the designer? Fans have attempted to tag her in the comments of the above post, but she hasn’t responded yet. Neither have Kanye or Kid Cudi, so we’ll have to wait and see where this goes.

UPDATE: Devlin has now responded to the claims, saying she did not design the Kids See Ghost set for Kanye and Kid Cudi. You can read her full response in the post below.

View this post on Instagram

CARMEN by Georges Bizet , English National Opera 2007. . In Act 3 of Carmen, Jose decides to leave the rules and formal certainty of the army in search of liberation: The quest means un-mooring oneself from the known and risking anarchy, chaos, loss of identity. The idea of a floating glass box of course is not in any way new and the geometry precedes all of us. The form finds another layer of resonance in each new context. I did not design the recent Kids See Ghosts performance: I worked with Lorde on the design for her Coachella performance : I admire both and see no imitation at work here: I think the more interesting point is that both artists, responding to our dis-jointed times, are being drawn to this gesture of the fragile floating room: the world un-moored from gravity : where the rules of civilisation and identity as we have known them may soon no longer apply.

A post shared by Es Devlin (@esdevlin) on Nov 13, 2018 at 5:15am PST

DailyEdge is on Instagram!